Looking for some baseball related stuff to do this summer? There’s a new exhibit in Washington D.C. that might be worth a stop.
“Baseball: America’s Home Run” is set to open April 9 at the Smithsonian’s National Postal Museum. The exhibit explores baseball through stamps and mail. According to the museum, it will “explore exciting and memorable stories about how the game of baseball became an integral part of American history and tradition.”
The exhibit includes dozens of artifacts loaned by other Smithsonian museums, the National Baseball Hall of Fame and major private collections. Historically significant game-worn uniforms, jackets and hats, game-used bats and memorabilia are included but a major focus will be the hundreds of U.S. and international stamps, all commemorating great players and historic moments in baseball. The exhibit also draws on original artwork and archival material from the U.S. Postal Service’s Postmaster General’s Collection.
The lives and careers of some of baseball’s greatest players, including those from the Negro Leagues, are examined through the postage stamps that tell their stories. For a number of stamps, the museum is able to show the original artwork commissioned by the U.S. Postal Service, picturing various players along with the actual uniform they wore in the artwork, such as Jackie Robinson’s road uniform from the 1948 season. Uniforms and game-used bats of Babe Ruth, Joe DiMaggio and other great players from the 20th century will be on display.
“We are proud to have Institution-wide cooperation from the Smithsonian, participation from the greatest organizations dedicated to the sport of baseball and support from businesses and private collectors who love the game,” said Elliot Gruber, director of the museum.
Noted collector Stephen Wong serves as honorary advisor to the exhibition, which also received support from Heritage Auctions and the Washington Nationals.
“The exhibition examines the mythologies of the game of baseball and the role postage stamps have played in creating and enforcing that mythology,” said Daniel Piazza, chief curator of the museum. “We tell some of the lesser-known stories about the game of baseball through the medium of stamps and mail and explore fascinating details about the game in new and unique ways.”
Special exhibition themes examine the game of baseball:
“Creating Baseball” looks at early U.S. baseball-themed stamps and the myths they reflect about the origins of the sport. The Centennial of Baseball stamp gave tacit federal recognition to the now-discredited claim that Abner Doubleday invented baseball in 1839 at Cooperstown, New York. Similarly, a 1969 stamp honoring Anna “Grandma” Moses shows “July Fourth,” her painting of a small-town Independence Day baseball game, reinforcing misconceptions about the sport’s rural American origins, when it was, in fact, a big-city game that evolved from British antecedents.
“We All Play Ball” examines baseball’s global spread in the late 19th and early 20th centuries. With modest equipment needs, baseball was played by American soldiers on military posts around the world and quickly adopted by local people. International baseball stamps will be complemented by memorabilia and military-issued equipment. Watching and playing baseball helped the Irish, Italians, Jews, Poles and other immigrant groups break down ethnic walls and show their determination to integrate into American communities. Europeans learned baseball in this country, but most Latino immigrants came already knowing and playing the game, making them one of baseball’s fastest growing audiences and comprising more than 25% of professional baseball players.
“The Negro Leagues” takes its inspiration from U.S. Poet Laureate Donald Hall, who described a passion for baseball as “a kind of citizenship perhaps more authentic than anything which can be on a piece of paper.” However, African Americans were denied the opportunity to play Major League Baseball until 1947, so they formed their own professional leagues and teams—in the process reaffirming their Americanness to a country that refused to acknowledge their equality.
“Legendary Playing Fields” explores the sense of community that accompanies the familiar surroundings of a favorite baseball park—whether it is a classic stadium like Wrigley Field in Chicago or a newer stadiums such as Washington, D.C.’s Nationals Park. In the early years, stadiums were generally built on undesirable land in the worst parts of town. One of Washington’s earliest baseball grounds, Capitol Park, was located in an underdeveloped working-class Irish neighborhood dubbed Swampoodle for the tendency of its unpaved streets to flood. Coincidentally, this very plot of land is now the home of the National Postal Museum. “Baseball: America’s Home Run” explores the history of Capitol Park and other parks, including production material for the 2001 U.S. Postal Service’s stamp, Baseball’s Legendary Playing Field Issue, paired with signs, seats, architectural elements and other artifacts from the stadiums depicted on the stamps.
A special website makes available the stories, themes and historical artifacts presented in the exhibition, and it provides multi-media storytelling by some of the most significant organizations and people associated with baseball. Schedules and information regarding public programing and events associated with the exhibition are outlined as well, providing experiences for both on-site and online visitors.